As a truckload of bamboo poles arrived in a narrow street, Daisy Pak prepared for her work by putting on a safety harness and playing music from a Bluetooth speaker. She maneuvered a loaded cart into an elevator and climbed out onto a narrow pipe on the ninth floor, where she began constructing a latticework of bamboo scaffolding.
At 31 years old, Ms. Pak is among the few female bamboo scaffolding workers in Hong Kong, utilizing an ancient Chinese practice that has diminished in use elsewhere in China. She entered the industry in 2021, seeking a fresh start after overcoming a challenging upbringing and struggles with addiction. The demand for skilled workers and her passion for the craft motivated her to pursue this path. “It’s so special, to build something completely all out of bamboo,” she remarked.
Traditionally, bamboo scaffolding skills are learned through apprenticeship under a master. However, Ms. Pak expanded her knowledge by working with various employers and facing challenges, including skepticism about her abilities and physical stature. Despite experiencing difficulties such as being underpaid and sustaining injuries, she persevered, driven by a desire to prove her detractors wrong.
The bamboo scaffolding industry, which has played a significant role in Ms. Pak's life, now faces uncertainty. Concerns arose after Hong Kong's development bureau mandated that at least half of government projects utilize metal scaffolding to align with modern safety practices.
Hong Kong remains one of the last strongholds of bamboo scaffolding, a technique depicted in historical scroll paintings dating back 2,000 years. While bamboo scaffolding is still prevalent for constructing and renovating high-rise buildings, the trend in mainland China has shifted towards metal due to an oversupply of steel.
Proponents of bamboo, including Ms. Pak, argue that it is lighter and more cost-effective for transport in the city's confined spaces. It is particularly favored for creating platforms that support workers during maintenance tasks. The government acknowledged that while metal scaffolding offers improved fire resistance and durability, it does not intend to eliminate bamboo scaffolding entirely, especially in situations with limited working space.
Concerns regarding safety have been raised due to a series of industrial accidents involving bamboo structures. Experts suggest that metal scaffolding is more suitable for larger construction projects, as it allows for precise engineering decisions based on load and weather conditions, unlike bamboo, which varies in shape and size.
In anticipation of industry changes, Ms. Pak obtained a license to work with metal scaffolding last year, stating that she already incorporates metal components into her work. Her affection for bamboo remains strong, as she appreciates its dynamic nature. “It’s just like the spirit of Hong Kong,” she expressed.
Having grown up in a challenging environment, Ms. Pak transitioned to construction during the pandemic, where novice workers earned around $90 daily, potentially rising to $250 for skilled labor. Lacking industry connections, she sought employment through social media, gaining acceptance as she honed her skills and earned several qualifications, including a prestigious “master license.”
On a recent day off, Ms. Pak visited Po Toi Island to collaborate with Kenny Lee, a veteran builder known for constructing bamboo theaters for cultural events. This traditional technique has been recognized as part of the region's intangible cultural heritage. Mr. Lee and his team recently built a theater at a temple, demonstrating the teamwork and skill required for such projects.
Despite the challenges posed by the pandemic, Mr. Lee continues to work in the industry, stating that he prioritizes cultural contributions over profit. Ms. Pak is also committed to making the bamboo scaffolding industry more accessible. She has taught high school students the basics of scaffolding and plans to launch a YouTube channel with tutorials.
“It would be a shame if the tradition dies in our hands,” Ms. Pak concluded, emphasizing her dedication to preserving this cultural practice.